.
I included this next for artists who want to represent people, and are concerned about ending up with non-matching eyes.
It doesn't matter. Your drawing can be in an art museum, regardless.....
Quite a number of Cezannes..... "Still Life with Apples and a Glass of Wine, 1877-79"
This pitcher is another thing I love and do not need to own. Love the decoration! This is huge, for a ceramic pitcher (working on 2' tall, as I remember it). It would be so heavy..... Not altogether practical, but I love it.
1887, salt-glazed stoneware, designed and made by Martin Brothers, London.
A terrible pic, to show you the overall idea....
A nice crispy detail, to show you it is all inlay! Goodness. Hard enough to draw with a drawing implement. To do it with very thin pieces of wood? My.
More things I love but do not want.
I love this, too, and would take it if it were offered. Monet, "Marine View with a Sunset," c 1875.
Another Cezanne. "Quartier Four, Auvers-suer-Oise," 1873.
Ceramic fireplace surround. I don't think I've ever seen anything like this before.
"Designed c 1895, Glazed stoneware, wood, metal, Designed by Hector Guimard, made by the firm of Alexandre Bigot, Mer, France."
Another Cezanne. "Still Life with a Dessert, 1877 or 1879."
This may be my favorite two-dimensional thing of the day. I'm not a big fan of fancy frames, but love the shadows! Henri de Toulouse-Lautrec, "Follette, 1890, Oil on cardboard"
Wow, eh? What a great sketch.
Cezanne. "Winter Landscape, Giverny, 1894"
There were two of these, side by side.... "Mont Sainte-Victoire, 1902-4"
Mary Cassatt. (again with the frame/shadows!) "Woman with a Pearl Necklace in a Loge, 1879"
I love her choice of lighting. So interesting............
Very nice little table, with delicate turned legs. "Rosewood. Made by Gregory and Company, London, c 1850-?"
And a gorgeous top. This looks so new -- wondering if the top is a replacement..... Or "just" refinished?
Another excellent chest. "Wardrobe. Designed 1910. White oak."
Detail.
I'm rather fond of the things on top, too. The leaves/flowers on the glass, and the dots/bumps on the ceramic......
Another Monet. "Bend in the Epte River near Giverny, 1888"
All of these shots are chronological as I encountered the items. Not, perhaps, as cohesive a story as I could have told if I rearranged.........
Modern work.
One of the few textiles in the museum -- the only current textile I saw -- and of course it's made by a man...... No quilts in the modern section; just the one in the Pennsylvania Dutch section..............
Alighiero e Boetti, "The New Autonomies, 1988, Embroidery on muslin."
I mentioned yesterday that the camera remembered things as WAY yellower than I remembered, and I said that I'd done what I could to restore things to the way I remember seeing them.
"Composition with Blue and Yellow, 1932"
Here's an example. A Mondrian, with yellow and dark blue rectangles, remembered by the camera this way:
Here's my attempt at what I remember......
The thing that caught my eye about this is that it is encaustic on top of a silk flag. That feels like cheating, to me. And yet, like the squint-eyed drawing, here it is, validated by appearing in an art museum.....
Jasper Johns, 1983
I walked upstairs to the second floor. The staircase walls were embellished with part of the museum's tile collection. "Young Lady in Green (Love in a Mist), c 1903, Tin-glazed earthenware with stenciled decoration under a transparent lead glaze. Pattern probably designed by Adolf Le Comte, Made by De Porceleyne Fles"
Looking out the window, a light whose design would fit right in with the previous.....
I failed to get pics of the info about the tiles in the next two pics, but they were with Dutch tiles from the mid-17th century....
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